The Veiled Feminism Of Moroccan Lalla Essaydi

The Veiled Feminism Of Moroccan Lalla Essaydi

Lalla A. Essaydi grew up in Morocco and now lives in USA where she received her MFA from the School of the Museum of Fine Arts/TUFTS University in May 2003. Essaydi’s work is represented by Howard Yezerski Gallery in Boston and Edwynn Houk Gallery in New York City. Her work has been exhibited in many major international locales, including Boston, Chicago, Minneapolis, Texas, Buffalo, Colorado, New York, Syria, Ireland, England, France, the Netherlands, Sharjah, U.A.E., and Japan and is represented in a number of collections, including the Williams College Museum of Art, The Art Institute of Chicago, the Fries Museum, the Netherlands, and The Kodak Museum of Art.

In my art, I wish to present myself through multiple lenses — as artist, as Moroccan, as traditionalist, as Liberal, as Muslim.  In short, I invite viewers to resist stereotypes.”

Art or feminism? Why not both?! Her art, which often combines Islamic calligraphy with representations of the female body, addresses the complex reality of Arab female identity from the unique perspective of personal experience.  In much of her work, she returns to her Moroccan girlhood, looking back on it as an adult woman caught somewhere between past and present, and as an artist, exploring the language in which to  “speak” from this uncertain space.  Her paintings often appropriate Orientalist imagery from the Western painting tradition, thereby inviting viewers to reconsider the Orientalist mythology.  She has worked in numerous media, including painting, video, film, installation, and analog photography.

Lalla A. Essaydi (born 1956) currently works in Boston, Massachusetts and lives in New York City. Her work is represented by Howard Yezerski Gallery in Boston and Edwynn Houk Gallery in New York City.

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